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Girls Just Wanna Have Fun

This programme brings together a selection of tongue-in-cheek contemporary video work with a shared employment of humour in approach - an exploration into the playful psyches of these women and artists.  

Themes of identity, societal expectations, self-image, gender, variations of female experience and our inner most thoughts are all observed in these lively pieces.

Communicating their places within the worlds around them, by constructing their own visual universes for us to peer into, using the mediums of Sims, karaoke, workout videos and dress-up to show us snippets of their thoughts.

Curated by Morgan Massey

Indonesian translation and subtitles by Afifa Tasya and Dilail Abimanyu

Timer
Ended
October 20, 2020
Film:
Motherlode
Year:
2019
Film:
Step, Sweat, Success
Year:
2018
Film:
How To Swim: Dive
Year:
2017
Film:
A Real Girl
Year:
2017
Film:
dancing on the table, grapefruit dressing gown
Year:
2016
Hexdebt Presents: Gemini

In celebration of their new film clip 'Gemini', Hexdebt are proud to present a curated program of film clips, short films and video art by local favourites and friends! Bizarre, entrancing, and eerily familiar - each work captures the absurdity of everyday life.

Timer
Ended
October 6, 2020
Film:
The Answer/Comedown
Year:
2020
Film:
Memories
Year:
2019
Eclectic Visions

Eclectic Visions presents a collection of experimental films created solely by female artists that span from across the globe. Each share vastly different approaches to their work; with concepts ranging from the elusiveness of dreams, to documenting the everyday, they all however equally present a unifying force that is the expansiveness of filmmaking. These women of multi-faceted practices, ages and backgrounds share a deep connection to the moving image, whether that image is captured through super 8, 16mm or digital.

In their own way filmmakers Audrey Lam, Lynne Sachs, Azucena Losana, Adelaide Norris, Barbara Meter and Eliza Roberts aspire to dismantle conventional forms of narrative by blending together techniques from both cinema and video art, and it is through their own explorations and experimentations that we become accustomed to the notion that the ways of seeing and viewing the filmic image can be reborn. 

Selected by Veronica Charmont and Lola Hewison

Indonesian translation and subtitles by Afifah Tasya

Timer
Ended
September 8, 2020
Film:
A Pocketful Of Song
Year:
2018
Artist:
Audrey Lam
Film:
Drawn and Quartered
Year:
1987
Film:
Carolee, Barbara and Gunvor
Year:
2018
Film:
At Your Heels
Year:
2017
Film:
Appointment
Year:
2019
Landscape Suicide(s)

Dogmilk is proud to present a selection of ruminations in landscape filmmaking by artists Polly Stanton and Matthew Berka. The somewhat romanticised idea of the solitary artist in nature has been so prominent a figure of the cultural imagination that it has endured across numerous centuries. By contrast, and with its own sense of romance, the history of cinema tells a narrative overwhelmingly characterised by ideas of collectivity and collaboration. As filmmakers, the thing that makes Polly Stanton and Matthew Berka most similar is not simply the fascination with natural environments, but their uncompromising sense of autonomy; creating every aspect of their films independently, across concept, camera and sound. Landscape Suicide(s) contrasts a dynamic selection of resourcefully made audio/visual works, exploring how a range of aesthetic possibilities can arise from seemingly similar creative approaches.

Headphones are most definitely recommended for this viewing and listening experience.

Selected by Paddy Hay

Indonesian translation and subtitles by Afifah Tasya

Timer
Ended
August 25, 2020
Film:
Hume's Disappointment
Year:
2016
Film:
H.M.V.S.
Year:
2017
Film:
The Spectral Field
Year:
2017
Film:
After These Things
Year:
2019
Film:
Undercurrents
Year:
2015
Fleeting

Music, when soft voices die,
Vibrates in the memory—
Odours, when sweet violets sicken,
Live within the sense they quicken.

Rose leaves, when the rose is dead,
Are heaped for the belovèd’s bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.

Percy Bysshe Shelley

 

Fleeting is comprised of four works that illustrate film’s capacity to explore the ephemeral notion of memory. Its gravity, nostalgia and delicate immortality.

Programmed by Fraser Pemberton

Indonesian translation and subtitles by Afifah Tasya

Timer
Ended
August 11, 2020
Film:
re÷belief
Year:
2015
Film:
Kimchi
Year:
2018
Film:
Where Do Lilacs Come From
Year:
2014
Film:
The Heartbeats of Memory
Year:
2019
Artist:
NONO
Of Age

OF AGE offers various moments of coming of age, centring the female experience. Led by Australian and New Zealand directors, we access moments of exploration, curiosity, crystallisation, and play. Moments that may seem somewhat minor, but which shape us and inform our entry into adulthood. Ranima Montes’ Mestiza (2018) offers a question of identity. Nora Niasari's Waterfall (2017), presents the struggle of a merging family. Alice Englert’s The Boyfriend Game (2015) invites us to join a game where lines between real and pretend are blurred, and Dannika Horvat’s Triple Swear (2019) paints the moment a sister realises her brother is not who she thinks he is. 

OF AGE was programmed by Dannika Horvat

Indonesian translation by Afifah Tasiah

Timer
Ended
July 28, 2020
Film:
Mestiza
Year:
2018
Film:
Waterfall
Year:
2017
Film:
The Boyfriend Game
Year:
2015
Film:
Triple Swear
Year:
2019
Memories of Media

MEMORIES OF MEDIA brings together two short films by Mparntwe (Alice Springs) based filmmakers to explore the history of Aboriginal media and representation from two very personal perspectives. Both films were made to explore and document the histories of family members.

Josef Jakamarra Egger and Viviana Petyarre were trainees at CAAMA (Central Australian Aboriginal Media Association) when they made these films, their debut efforts. CAAMA has kickstarted the careers of some of the most well known Aboriginal filmmakers across the country; Rachel Perkins, Warwick Thornton, Beck Cole, and Erica Glynn amongst many others. Founded by Freda Glynn, Phillip Batty and John Macumba in 1980, CAAMA has been a central force in creating Indigenous media and promoting Indigenous voices.

Jupurrurla and Petyarre both look back at the archives of CAAMA and Warlpiri Media Association (founded in 1983, now PAW Media), re-contextualising this media history in the current age. Both films are also incredibly personal stories; Viviana searches for the caves that her grandparents used to inhabit while Josef searches for answers about his fathers pioneering career.

The films offer the possibility of an emerging new-wave of young Central Australian filmmakers, determined to present the stories of their people.

To find out more about, and support both CAAMA and PAW Media, please follow the 'Support the Artist' links.

Aboriginal and Torres Strait Islander viewers are warned that the following program may contain images and voices of deceased persons.

Indonesian translation and subtitles by Afifah Tasya

AVAILABLE FOR FREE DOWNLOAD: Josef Jakamarra Egger, director of Jupururrla Man of Media is interviewed by Dogmilk Films’ Chris Cochrane-Friedrich

Timer
Ended
July 14, 2020
Film:
Jupurrurla Man of Media
Year:
2019
Film:
Petyarre
Year:
2017
Crystal Cowboys

Digital artists as pioneers, as experimenters, as deconstructivists, as system hackers, as activists, as revolutionaries, as anti-capitalists, as proletarians, as philosophers, as poets, as filmmakers, as avatars, as Harry Dean Stanton, as Jenny Agutter, as adventurers, as cartographers, as geographers, as space explorers, as psychedelic time travellers, as physical dematerialisers, as metamorphers, as dream mappers, as mind mappers, as mind fuckers, as motherfuckers, as culture regurgitators, as conspiratorialists, as satirists, as humorists. If there’s anything I’ve forgotten please let me know. This program offers fragments of all these to form a weird, beautiful and hopefully interesting (or confusing) w/hole.

Timer
Ended
June 30, 2020
Film:
Healthy Skin, Healthy Life
Year:
2018
Film:
Deserted
Year:
2017
Film:
Sorry I Was Late Again
Year:
2020
Film:
The Model
Year:
2019
Film:
Brown Material
Year:
2016
Et øje Blik

Et øje Blik, the blink of an eye.

Selected by Alex Walton.

This selection of short films is put together loosely to represent some time that Alex spent in Scandinavia. Artists and ideas that she has come across in this time are shown in three beautifully diverse short films. Each intrinsically different from the others, together they show a cross section of formal cinematic elements that expand the horizons of contemporary cinema. Featuring personal journeys, ideas relating to identity, class, science, trauma and the future of media formatting are entangled to represent a small pocket of the current work that is coming from young artists both in Scandinavia and Europe.

Timer
Ended
June 12, 2020
Film:
Walk With Me
Year:
2017
Film:
Keloid
Year:
2019
Film:
S.E.L.F.D.E.S.T.R.U.C.T.I.V.E.
Year:
2020
SIPAKATUO

SIPAKATUO is the first VODmilk program offered by Dogmilk Films with guest programmers 180 Dalam Kota, a young filmmakers collective based in Makassar, Indonesia. 180 Dalam Kota provides local filmmakers and film enthusiasts the opportunity to exchange ideas and enrich their perspectives through films that focus on the complexity of urban issues. Films about discrimination, civil rights, autonomy, economy, and gender issues contribute to creating a cartography of the challenges facing modern Indonesian society, and help re-wire peoples minds about equality and social justice. The three films selected are short documentaries about extraordinary women, living and surviving in Makassar.

Sipakatuo, glorify one another.

Timer
Ended
May 29, 2020
Film:
Suster Apung (The Floating Nurse)
Year:
2006
Film:
The Unremembered
Year:
2018
Film:
Dunia Dalam Kota
Year:
2019